"In front of an Outrenoir, what do we see? There is light reflected by the black, already altered, transformed. […] We see light coming from the painting toward the viewer: that’s what happens in my work, that’s the optical aspect. […] If the light shifts, we no longer see the same painting. The arrangement, certainly, remains the same, but it fades or becomes more apparent […] In my case, interiority does not precede the act of painting. It arises during it." – Pierre Soulages